PauloF wrote:
Fully agree, but for me (for example), as a home composer and occasional gigging musician, with no money to buy an expensive JP-80, Integra-7 (seems) to offer a little of both Worlds like the Fantom (16 Part Multitimbral, FX per Part, with SRX collection), the SuperNatural new sounds, and a few other bits and pieces.
Together with a V-Synth will be a sonic dream (for me)
Yes, I agree with you. In your case, an Integra may be a good choice. At half of the price of the jp80 I'm thinking about who would buy the jp80 these days at all. On the other side, I highly doubt that planetariums will spend 2000$ to play GM midi files. But that's Rolands problem and not mine.
Devnor wrote:As a Jupiter 80 user I can't think of many reasons why 4 slots would be such a limitation. Why use SRX7 for synth waves when there is VA onboard? Why use SRX for pianos when there is supernatural onboard? Ect. IMO the inclusion of the SRX library was a consolation prize for shelling out $2000 for integra.
First and foremost, there are 4 expansion slots for both, the SRX and SN expansions. If you need that Ukulele Sound, you have to load the SN Guitar expansion and you occupied 25% of your expansion possibilities with that one patch. What else? Well, because there is VA inside the Integra doesn't mean that a user wouldn't prefer a sample based analog patch from a srx card. The same is true for the piano. Maybe the character of some of the srx based pianos fits better into the mix than the sn piano.
So, let's forget that "why would you" thing because everybody works and thinks different.
I know one thing, that is that the SN expansions contains very few instruments and they are very narrow. It's not like the srx world card where you get everything, from mariachi trumpet up to the sound of a starting rocket engine. And therefor I consider 4 expansionslots as a cumbersome choice these days.
Devnor wrote:iPad is the logical choice for an editor
Please, explain why? (I already mentioned that I'm an ipad owner).
Devnor wrote:synth companies cannot maintain updates for all OS and DAW versions & I'm not crazy about installing basically unsupported freebie plugins on my system.
What on earth means basically unsupported freebie plugins????????? Whould you rather pay for it and you think that it would have more value in that case? What means unsupported? And what happens if you install it on your ipad? Is it supported? Is it non-freebie?
Devnor wrote:As a musician using Jupiter in a variety of situations, I don't need to "fire up my DAW", install software on somebody else's rig or simply go without to use the Roland editor.
We are talking about the Integra here. Its name is Integra because it integrates into your studio environment. And there you are most probably working with a software sequencer. And the Integra is not integrated into that environment at all this time. That's my point. You don't have a plug-in to integrate the Integra into your Sonar/Cubase/Logic/whatever you have. I guess that those working in a studio would need such a plugin/editor far far more than an ipad editor. It doesn't make any sense (as a lot of things on the Roland side unfortunately don't). You are working in front of Sonar or Cubase, you are fiddling with your mouse, work on controller lanes, move clips, adjust effects and then you have take the ipad in your hand to change a parameter on the Integra?
It can't be that I'm the only one seeing a problem here.
If you are a gigging musician, you don't need the editor live. And at home I guess that everybody has a computer these days. But not everybody has an iPad. Not only the ipad, you also need a camera kit for it or even some more costly options to connect the iPad with your jupiter/integra.
IMHO, Rolands approach is a complete mess. They give you Sonar which is PC only on one side and as an editor they give you on the other side an iOs only editor.
Yamaha gives you a crossplatform sequencer at least. The editor is tied to cubase but at least you can install it on both, Mac or Pc.
Korg and Kurzweil (being the smallest companies!) offer you a VST/AU (PC/Mac) compatible editor and you have the choice.
Interesting how the smallest companies give you the widest possibilities and you don't need to invest your money into more hardware to be able to edit your instrument more comfortable.
anotherscott wrote:It's just a little more complicated because, unlike the Motif racks, Roland actually built in some extras that aren't in the keyboard version.
That was exactly my point and the reason for complain. The Integra is not the rack version to the Jupiter, as a MotifRack is to the Motif.
anotherscott wrote:In terms of dedicated hardware instruments, there's not much that offers gigabtyes of sounds. There's that Korg Kronos ($2800+) and the Yamaha XF with a pair of gigabyte expansion cards ($3100+), both pricier than an Intergra-7
There's also the Korg Krome, offering 4 Gb of sounds, and starting at 999$!!! But my intention was not to compare prices. There is no point in comparing prices between the Integra and keyboards. Keyboards have much more hardware and some other features like sequencer or sampler. So, don't list prices because that's apples to oranges.
The point is, digital instruments, even in hardware form, are braking the 1Gb limit these days. And Roland is still stacked at 4 expansion slots. That's 4x64 Mb if the samples are uncompressed. Sorry, I think that adding a 512 Mb module instead of a 256 Mb wouldn't make a great difference to the end price of the Integra. Even if it would, I'd rather pay 2200$ for an Integra with 8 slots instead of paying 2000 for 4 slots. (Yes, I know that theres also a kind of a "rom" inside).
anotherscott wrote:This is the part of your post that I don't get. Why does being a gigging musician mean memory information is essential to you? Unless you mean you need memory to load your own custom samples, in which case I can tell you exactly how much of that memory is in a Jupiter 80 or an Integra: zero.
Sorry, maybe I wasn't clear enough. I mean patch memory. You know, the place where you store your own sound creations or setups. Like the registration on the JP80. I'm not talking about sampling memory because those boards are not designed to load samples. A mistake IMO, but it's how it is and I don't complain about it.
It's certain that there is at least one studio set. It's not known how many studiosets you can have in one working session and sorry, I consider that information as important. I simply want/have to know how many setups I can build and store on a particular machine.
I mean, it shouldn't be a rocket science to put the same informations on web as other companies always do. Why is this important for a gigging musician? Well, in the studio even one studioset per song is enough. When you work on a new or different song, you can load a new studioset if you need. Live on stage, you don't have the time load or unload things between the songs being played. I guess that's pretty much obvious and doesn't require any further explanation.