Summer NAMM 2012 disappointed yet again with no new workstation from Roland and company. I see the Jupiter-80 got a 2.0 version software update which is nice but the improvements are miniscule at best in my opinion.
Roland calls the Jupiter-80 its "Flagship Synth" yet they also call the V-Synth GT 2.0 its Flagship Synth. Roland's new business strategy could be the elimination of professional workstation products perhaps. Synth could be the new word for "keyboard" in Roland's vocabulary. The Jupiter-80 could be Roland's new interpretation of a workstation, even though the Jupiter-80 lacks three professional features that true workstations include. It doesn't include a Sampler or a Sequencer or Expansion capability, which "limits" its productivity and its usefulness as a viable keyboard option for professional musicians or anyone else for that matter in my opinion. Has anyone seen the Jupiter-80 being used in the media on TV or at concerts? I haven't, but I could have missed the occasion(s) where it was spotted. The Jupiter-80 sounds great but 'form i.e. (sound) over function' obviously has its limits. What I believe most keyboardists want is both superior sounds plus a boat load of professional features that gives people the best of both worlds. As it stands now, the Jupiter-80, in my opinion, is a "watered down" keyboard that sounds really good but obviously "lacks" important professional features that professional musicians usually demand it have.
So here we are four years later and Roland has yet to release a successor to the Fantom G. My G7 is still going strong thanks to Roland's build quality on the G. It's solidly constructed but obviously its getting "long in the tooth" i.e. becoming obsolete as far as cutting edge features which are being included in Korg's new Kronos and now the newest Kronos X with a larger SSD and other nice improvements.
Perhaps Roland doesn't care. Perhaps they've chosen to delegate workstations to Korg and Yamaha and their new business strategy is a "take it or leave it" proposition. In other words, if you want a true workstation you're going to have to "jump ship" and swim over to Korg and/or Yamaha for your future workstation needs. That appears to be what Roland is saying - in secret of course. ;)
I could be wrong. I've been saying winter NAMM '13 could be the time when a Fantom G successor shows up. But if one doesn't show up at winter NAMM '13 then it could very well be adios, au revoir... see you later alligator. If there's no new workstation release from Roland by winter NAMM '13 - six months down the road - it could be very telling and would further cement the idea that Roland has given up on making true workstations and are basically saying to the keyboardist community world over... get used to it buddy.
Roland: We've gone a different direction and if you don't like it... well, you've certainly got other options waiting on the island of 'hope and opportunity' in the arms of Yamaha and Korg... after you "jump ship" and swim to greener pastures because obviously we don't care, but obviously, Korg and Yamaha still do. Sorry for being somewhat cynical. But like I said, if Roland doesn't produce something by winter NAMM '13 then they may have given up on producing workstations altogether. Which would really be a shame obviously.
Workstations are still a viable market in my humble opinion. An "all-in-one" solution is really the best of both worlds. Roland could be saying: "you can't have your cake and eat it too" perhaps. Which is kind of snobbish if you ask me. Thank the Lord that Yamaha and Korg don't mind if their customers have the best of both worlds. At least as of July 14, 2012 anyway. ;) Workstations could eventually be on the way out but currently there is still a huge market for them if you ask me. Roland apparently disagrees with that sentiment but I'll wait until winter NAMM '13 before coming to any final conclusion.
If it's yet another "no-show" at winter NAMM '13 then I think Roland has concluded that true workstations that include professional features for professional musicians (and hobbyists) aren't in their future anymore. Pity if that's the case. Again, thank God for Yamaha, Korg and Kurzweil. Who are obviously waiting in the wings and more than happy to receive literally thousands of new customers that Roland didn't deem necessary to retain as customers for themselves. Which begs the question... who's running the ship at Roland Japan? Perhaps it's time to bring in some fresh faces with customer friendly policies that won't exclude certain segments of the keyboard community? Sorry. Again, I'll try and be patient and hopefully winter NAMM '13 will bring us a few surprises. Patience is wearing a little thin I must admit though. Deep breaths, deep breaths, DDDEEEEPPPPP breaths. :D lol
BTW, sorry for the extremely long post. Just think of the exercise your eyes are getting though. :) Have a great weekend everybody!